Paradise Lost III (from the series 'Our Dark Materials')

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Paradise Lost III (from the series 'Our Dark Materials')Paradise Lost III (from the series Our Dark Materials) has emerged from a deeply felt, expressive application of polymer plastic and oil paint. It is third in a series of tondo paintings on board. The round format suggests the experience of viewing through a lens, perhaps that of a microscope, focussing on a fragment from a familiar landscape; or, by contrast, a view of an ancient planetary continent distant in time and space. It is my hope that this

first dates and the like

and to feel something deeper

symbolising potential and growth

His monuments don’t honour socialism — they mark a system that demanded

frozen yet foreboding

Bowes’ moonlight series taken in and around the Elan Valley

preserving the memory of nature through intense radiation

Although its legs were broken

aiming to focus only on what one can control

Questioning whether it’s romanticizing procrastination or simply honouring the quiet power of time

This is one of a series of paintings that use the form of rock towers to explore colour and compositional relationships

it resembles a monolithic mirror