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Mark Rothko Untitled 1947Rothko's 1947 work sits in the transitional period between his surrealist influenced early paintings and the colour field works he would become famous for. The forms are still recognisable as shapes but have begun to dissolve at their edges, becoming less like objects and more like presences hovering, uncertain, psychically charged. A glimpse of Rothko in the moment of becoming himself, before the world knew his name. About your print: Printed on

He instructed galleries to hang his paintings low and large so that viewers would be enveloped rather than observe from a distance

and producing some of the most vital work of his life

This gallery wall set draws from that late-career explosion of colour

The Acrobat from 1930 is a later return to that territory: a figure of extraordinary physical improbability rendered with Picasso's signature disregard for anatomical convention

4 Youth by Hilma Af Klint Exhibition is a remarkable window into one of art history's most extraordinary untold stories

and adobe landscapes she found there became the subject matter for the second half of her career — paintings of radical simplicity and strange

Abstract Infinity Nets by Yayoi Kusama channels her singular vision — a universe of pattern that transforms any wall it inhabits

The kind of work that changes depending on how long you stand in front of it

and completely unlike anything in the western tradition

Pairs naturally with botanical prints

Possibilities by Helen Frankenthaler is a beautifully considered piece — art that earns its place on your wall and rewards daily living

Joyful without being frivolous

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