Ohara Koson — Egrets in the Snow | Shin Hanga Print

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Ohara Koson — Egrets in the Snow | Shin Hanga PrintOhara Koson (18771945) was the supreme master of kach ga the Japanese art of bird and flower prints and the most beloved name in the Shin Hanga movement. Working with publisher Watanabe Shzabur, he produced hundreds of prints of birds, blossoms, and small creatures rendered with extraordinary delicacy and emotional restraint. His works spare, luminous, perfectly observed remain the most collectable of all Shin Hanga prints and are held in major museum

and the Gogol Overcoat illustration belong to the tradition of Soviet graphic art at its most socially urgent

The Phantom of the Opera (1925) starring Lon Chaney remains one of the towering achievements of silent cinema — and its original promotional materials are among the most haunting in film history

unpolished energy of a non-academic artist working directly from inner necessity

Its Ausstellung (exhibition) posters — designed by Bayer

liberated from description

1394–1481) was a Rinzai Zen Buddhist monk

The Shin Bijutsukai (New Art Society) was a Meiji-era design circle that produced some of the most refined decorative art objects and textile patterns of late 19th-century Japan — works that combined traditional Japanese aesthetics with the new design sensibility of the Meiji modernisation period

and visual education is incalculable

and expressive freedom that laid the foundations for Expressionism

Flemish realism

A champion of the bicycle

foam-streaked waves of the ukiyo-e tradition — with the atmospheric refinement and colour sensitivity of the Shin Hanga approach

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