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Extraction Abstraction (Central Africa)This work belongs to Extraction Abstractions, a series that appears abstract but is rooted in early 20th century British economic maps showing locations for extracting resources such as iron, tobacco, copper, and opals maps that viewed the planet as a storehouse for exploitation. The paintings develop through layered impasto and oil glazes, echoing geological strata referenced in the maps. By transforming capitalist diagrams that reduce nature to

sweet scents and the sound of bees

The concealed actuators and metallic wooden hands simulate

The piece invites viewers to see themselves

Re-imagining landscape painting in a contemporary context has been a concern of mine

revealing a paradox marked by physical distance and emotional attachment

Lips curled

her nieces

The silks were first imbued with carefully chosen plants through natural dyeing

offering a contemplative anchor in shifting landscapes

an intentional leaking out of a liquid

I try and make these paintings joyous

and the porous relationship between body and environment